The Father And The Animal Thing
Luscious Jackson Live in San Francisco
Grand Royal Magazine #1
Winter 2003
We caught up with our own Luscious Jackson in San Francisco
recently, right before they hit the stage as the opening act for Urge
Overkill at Slim's. Bob Mack was able to conduct the interview
before getting so drunk that the management escorted him from the
premises. Here are some of the livelier exchanges from that discussion.
WHAT'S YOUR FAVORITE TOWN SO FAR?
Jill: We've only played L.A. so
far.
OH, I THOUGHT YOU'D BEEN ON THE ROAD.
Kate: [Ignoring me] Where'd
we stop, Bakersfield? Is that our favorite town? Lot of songs about
Bakersfield and we're, we just might want to move there. Relocate. To
Highway 5.
OK BUT YOU DID PLAY LOLLAPALOOZA IN JERSEY AND THAT MUST
HAVE BEEN-
Gabby: The experience was mind boggling! I'll go twice
more!! We got really suntan
Kate: And sunburnt. We got really
tired.
Gabby: And dusty.
AND CRANKY?
Gabby: Oh not cranky, it was
like-
Kate: But the show was good.
Gabby: But Vivian got hit on the
head with a drum.
WHY, COS YOU WERE DOIN' THE NIRVANA THING?
Kate:
Yeah, as you know. I destroy my drum kit every night. And I try to hit
at least one person a night
SOOO...AFTER THE AMERICAN TOUR YOU'RE
GOING TO EUROPE.
Kate: That's true. That's the truth.
[TO VIVIAN]: YOU
GREW UP IN EUROPE?
Vivian: I was grown in Europe.
Kate: Full grown.
AND SO NOW WHEN YOU GUYS GO TO EUROPE YOU'LL HAVE-
Vivian: The
triumphant return.
SO WHAT'S UP WITH RICKY POWELL?
Gabby: Jill has a
slight thing going with Ricky Powell- in the village.
Jill: Yes, we
keep it under wraps.
WHAT ARE YOUR GROUPIES LIKE?
Kate: They're like
Ricky Powell. A lot.
Jill: Yeah they are!
Kate: Very Ricky
Powell-ish.
Jill: They're sweet little chickens. We love them. I think
that our guitar tech is a genius, we love him.
Kate: Hey he's the drum
tech, too, all right?
WHAT'S THE SOUNDTRACK BEEN IN YOUR VAN?
Kate: We
had the Led Zeppelin A to Z station, and they were on [the letter]
"I." And there's a million songs that start with I. Some of the best
songs. It's fascinating. "Immigrant Song," "Into The Light," "In The
Evening," and the other one off Physical Graffiti [mimmicks a few
bars]...
"IN MY TIME OF DYING." THAT'S THE DRUMMER'S SONG, JOHN
BONHAM.
Kate: That's one of my favorites- serious drum song. So
that was basically what we've listened to. So far. But Capitol gave us
a lot of free tapes. They want us to listen to Blind Melon, and they
want us to listen to, uh,
Jill: Radiohead-
Kate: But we all want to
listen to Bonnie Rait and that's all.
Jill: And the Blue Note catalog
too.
WHO WAS ON THE SECOND STAGE AT LOLLAPALOOZA WITH YOU? AND DID
YOU-
Jill: Can we discuss one thing about Lollapalooza? They dissed
ESG. They applied to go on second stage and got
dissed. Anyway.
Vivian: There was a guy who juggled bowling
balls.
THEY LET THAT BOWLING BALL GUY ON THE STAGE IN JERSEY, TOO?
HE'S TRAVELLING ACROSS THE COUNTRY?
Jill: He is the main dude. He's
the only consistency.
THAT GUY IS NO GOOD.
Jill: No, he's not.
Gabby: He's up to no good.
Kate: They were really nice to us, though, there. And we
actually thought it was going to be a nightmare, but it turned out to
be OK.
WHAT TIME DID YOU PLAY?
Kate: We played around 2pm, is that
right?
Gabby: We're a lunchtime band!
[LAUGHTER]
Kate: Yeah we didn't have to compete with anyone. We ate
cajun chicken with cheez whiz.
Gabby: Ohh! Don't remind me.
Kate:
We're trying to eat better.
SO HOW IS LIFE ON THE ROAD?
Jill:
Bad.
Gabby: Bad fud!
Jill: Continuous digestion problems.
Kate:
Digestion problems and sometimes sinus problems. [Exaggerated nerd
voice] As you can tell by my voice.
SO WHAT'S UP WITH YOUR NEW VIDEO?
TAMRA AND SPIKE DID IT THE OTHER DAY AT D'S HOUSE?
Jill: In his
garage, yeah. He has a garage that has fucked up paint that looks
really cool .
Gabby: We want to be a garage band.
Kate: And we were
having a garage sale.
SEE I THOUGHT THE VIDEO SHOULD BE LIKE DAVID
BOWIES' "RED SHOES."
Jill: Oh no! Get the hell outta here!
Kate: Is
that the one where he's painted all blue?
Jill: No, I know exactly
what you're talking about. That started my red shoe thing, where I
couldn't stand red shoes.
SPEAKING OF SHOES, GABBY
Gabby: Why am I
still wearing these?
NO! YOU'RE MY HERO FOR WEARING THE SAME ONES ALL
THE TIME.
Gabby: I've been wearing these same shoes for six years
because I have fat, flat feet.
[Laughter]
Gabby: People used to dis
me- they'd be like "Oh she's still got the old shoes, yaah-ha!" Like
I bought Pumas like five years ago in San Francisco and they're really
narrow. I loved the way they looked but they killed my fat feet.
PLUS,
YOU ALWAYS WEAR BLUE ONES.
Jill: No, no, no.
Gabby: Blue ones I left at my last job. Grey one. I feel,
once you like something, you stick with it. You know what I mean?
Jill: [Laughs]
[EMBARRASSED] NO...NOW IS THE TILE BAR, LIKE, REPLACED? OR WAS I
SPACING LAST TIME I WAS IN N.Y.
Gabby: no, it's still there. I got
fired. It was all your fault! They were like, you disrupted the
whole bar. Jill was talking too loud. The tape recorder intimidated
the bar people.
[REMEMBERING MY EARLIER INTERVIEW OF JILL] I B0TCHED IT THAT BAD?
Gabby: Just kidding. I got fired because-
Kate: Come to think of
it, that restaurant you interviewed me at went out of business,
too.
WELL, AS ADROCK POINTS OUT, I'VE GOT THE 8 BALL OVER MY
HEAD.
Jill: We have bad luck, too. What do we do? We close restaurants
when we work there. That's our curse. I'm convinced that____ and I
closed this __________ restaurant because
[SHHH! OFF THE RECORD!] SO WHAT'S UP
WITH URGE OVERKILL? WHO'S GOING OUT WITH WHOM?
Gabby: Awesome.
Jill:
Yeah, totally fun.
Gabby: We're getting into the spirit of the
dressing up.
Jill: I'm going out with Blackie...
Gabby: Paint it
Blackie.
Kate: I wanna go out with Blackie!
Gabby: We both go out with
Blackie. We all go out with Blackie!
Vivian [finally]: I wanna go out with Blackie, too.
OH, I'M HEARTBROKEN...NOW VIVIAN YOU'VE BEEN
WEARING HOT PANTS LATELY?
Vivian: WHO started this rumor?
Jill:
Probably that slimey, sleazy guy- that bi-level camera guy. Can we
talk about bi-levels for a minute?
OK.
Jill: Do we all know what bi-levels are? It's this haircut with
the-
OH, IT'S THE MULLET!
[Together] No!!
Jill: It's similar. The bi-level is when you have Jean
Claude Van Damme-style. Billy Ray Carus. Cyrus. Short, straight, with
the long curly tails. The guy was picking up on everybody.
Kate:
Except for me, wonder why? Hmmm.
[Laughter]
Vivian: And we decided
that bi-levels are
the bottom of the barrel.
Jill: For us the word mullet is more than a
haircut.
Gabby: They're the person.
Jill: They're also, when you see a
group, you go, "Look at those mullets over there!" They don't have to
have mullets.
Vivian: A flock of mullets.
WHAT'S WITH THAT?
Kate: It's a Beastie Boys reject thing, I think.
Jill: You know what it is? It's
Lollapalooza kids that jump from scene to scene that have a little bit
of hippie in them, a little punk and a little hip hop going
on. They're into everything, they jump scenes. That's what a mullet
is. They got the shave and the long. And the bi-level is also a kind of human
being, a sleazy guy.
Kate: The Andre Agassi kind of thing.
Jill: Who's that?
Vivian: Tennis player.
Kate: The hair guy.
OK. EMBARRASSING BEASTIE BOYS STORIES FROM WHEN THEY WERE 13 YEARS OLD...AFTER ALL, IT'S THEIR PUBLICATION
Jill: I've got one. This is not that
embarrassing. Adam Yauch and I used to have this game in my
house. We'd run around the house screaming and throwing pillows at
each other. Like ALL around the house, down the hallways, into the
living room. And my father's like a really peaceful guy, and he always
reads in the living room.
WAS HE LIKE A PROFESSOR?
Jill: No, he's a
writer. Anyway, we would just go like maniacs all over the house
screaming, and one time it got so out of control that Adam like heaved
this pillow at me and it broke one of our best lamps.
[Groan]
Jill: And my father had to scold him. Like a child.
HOW OLD WAS ADAM?
I'd say he was like 16. And he was so
embarrassed, and he felt so bad, and my father still remembers this.
Gabby: I have an Adam Yauch story! I've got a funny Adam Yauch
story. The first time I ever met him. I went with this girl, Joanne,
and her boyfriend to his house, in Brooklyn. We were about 13, he was
wearing a mod shirt. He used to have a long trench coat, tan-
Jill:
With "White Riot" written on the back.
Gabby: Was it? So anyway, I was only 13, so I had never really been around guys that much, OK? And
we're sitting there! and I don't know what the situation is supposed
to be, so all of a sudden my friend and her boyfriend start making
out! And I'm looking at him, and I'm like, if you fucking-
[Giggles]
Gabby: If you dare, you know, try to do anything, I will
KILL ya'! And he's just sitting there like [folds hands and makes
polite, well-behaved face].
[Laughter]
Gabby: That was like my first
experience with another guy. Nothing happened of course, but I just
was like, 'Oh my God, what am I supposed to do now?'
WHAT DID HE DO, THOUGH?
Gabby: He didn't do anything. We just both sat there while
they made out! And we were like [straight face]. And they were like
'neeyyea, yea, yea' [kissy face].
Jill: We all used to sleep at Adam
Yauch's house sometimes. ALL of us! We used to have like 10
people.
Kate: His parents would go away a lot. Um, I have a good Adam
and Michael slept over at my house, once, story. And uh,
[Laughter]
Kate: Adam came into my room to tell me that there was like three
inches of water on the bathroom floor because the water heater bottom
dropped out while he was there. And I don't know if this is the same
story, but Mike slept over one time, and he left such a mess in the bathroom, there was so many towels and so
much water all over the place, that I got screamed at SO bad by
mother! She couldn't believe it-
Jill [Mom voice]: 'Those guys just
wreak havoc!'
Gabby: John Berry, the original guitarist, smashed my
guitar. I lent Adam Horovitz my Pignose amp and he never gave it back!
AWW YEAH!
Gabby: I am a bitter woman. But he lent me his guitar for
the video, so we're even!
Jill: Totally out of tune, we tried to tune
it. Where'd you get that yogurt?
YEAH, WERE DID YOU GET THAT YOGURT?
Vivian: Haight Street.
Kate: Mike Diamond used to sing in a
British accent.
Jill: And an H.R. accent also.
Kate: Well first it was
H.R., and then he got into some-
Jill: The British stuff. It kind of
worked for him, though. Have to say, he pulled it off...
[Thoughtful silence]
Jill: Do we have any more stories?
Gabby: I like the John
Berry story!
I WAS GONNA SAY, WHAT'S UP WITH JOHN BERRY? ISN'T HE BACK
IN NEW YORK?
Jill: He's playing in Ike The Dyke now.
Kate: He s a rock dude now.
Jill: He's a blues-rock guy now.
Kate: It's a real good band.
[They wonder if there's a John Berry wedding story or Screaming
Trees story worth telling but determine there isn't. I turn to
Vivian. I have promised my friend, Cole, who is in the room, that I
will ask her to marry me.]
ON THE JOURNALISTIC TIP, THESE GUYS ARE ALL FROM THE SAME...
Vivian: And I'm not...
MILIEU...SEE,
NOTICE THE FRENCH WORD USED AS A TRANSISTION-
Vivian:
[Unimpressed]. Uh-huh. I was born in New York.
BUT YOU GREW UP IN
PARIS, OPERA SINGING PARENTS, YOU ADD A LITTLE TINKLE-TINK TO THE-
[They laugh at my drunken rap. One says "Oh my God"]
HOW DID THIS ALL COME ABOUT, THOUGH?
Jill: Vivian and I were teaching together-
SUBSTITUTE TEACHING WITH RICKY POWELL?
Jill: Nothing to do with Ricky
Powell.
Vivian: Adults. Adult education.
Jill: English as a second language in a factory in Queens.
Vivian:
Jill and I went through a heinous experience together, and then we
decided-
Jill: We bonded, we really bonded, right?
Vivian: To make
up for that incredible year of torture.
Gabby: I've never seen you as
sad as that, ever.
Jill: We were the most depressed. [They talk about
how sad they were, a guy named Mike enters and Jill says "Mike has
more groupies than we do."]
SO VIVIAN [Clapping my hands]
Vivian
[Perturbed]: What! Alright. I was born in New York, my parents were
musicians and when I was six months old they headed off to Europe to
pursue careers in classical music. My father's an opera singer and my
mother's a classical pianist. So of course we lived in Switzerland,
and then we lived in Vienna, and then we lived in Paris. Um, so, I was
a really lucky creature, you know? So it was great, but it was also a
drag, cos, you know, I mean coming to the States in the summer was
like heaven.
Jill: Texas!
Vivian: Yeah well that part wasn't heavenly,
but other parts, you know, like other places we'd go. Cos coming to
the States, things are so much more free and open here.
UH-HUH [Wide-eyed in total Libertartian agreement]
Vivian: So as soon as I
possibly could and as soon as I finished high school there, I came
back-
Jill: [With Liberal scepticism] Really? Why is it more free
and open here?
Vivian: Well like, if you go to the park in Paris, you
can't walk on the grass. I mean that's what I noticed as a kid. I was
allowed to walk on the grass and take off as many clothes as I
wanted.
Jill: Hello!
Vivian: Play as many games...you know? I just, it
just-
Jill: And they would [indecipherable] in the grass!
[Laughter]
Vivian: Shut the fuck up. Or uh, but you know, and like I
could go to New York and I could do anything I wanted to do, you know,
which you can't do over there.
Jill: Well also you were in really
strict schools.
Vivian: I was. I was in like practically military, I
mean they weren't military but it was really hardcore.
Jill: She came
to California and was shocked at how bad the school was.
Vivian: Yeah,
I lived in California for one year when I was 12 and I was
horrified.
COMING FROM A CLASSICAL
BACKGROUND, WHAT'S IT LIKE PLAYING HIP HOP?
Vivian: Well, you know, I'm learning as I go [laughs].
Gabby:
She's a natural!
Kate: She's a natural cheese-meister!
Vivian: I've loved cheese for years.
Jill: She's like the Romano cheese of our
music!
NOW I HEARD ONE OF YOUR NEW SONGS FOR THE LP THAT WAS VERY
KEYBOARD BASED.
Vivian: Oh, "Surprise."
ON THE NEXT ALBUM IT WILL BE ALL FOUR OF YOU?
Jill: Absolutely. We weren't a full band on that last
record. That was a garbage demo tape. We love it, but it was done a
long time ago, for nothing. We'll fit right into Grand Royal's schema!
ARE YOU MORE COMFORTABLE WITH THE HIP HOP STUFF IN CONCERT?
Jill: What
are you trying to say there, Bob?
Gabby: That we're scared?
NO BUT LAST TIME I SAW YOU PLAY THE HIP HOP STUFF YOU SEEMED COOL BUT TENATIVE-
Jill: No, they're not tenative at all.
Gabby: You'll see
tonight how good they are.
Jill: You've got to go to more shows, Bob!
[This proves to be true. Later that night they play with an offhand
intensity that does in fact remove my lingering doubts about their
show-woman ship. That is, Kate's got beats like Bonzo, Gabby's rap
purrs, Jill's vocal chills and Vivian swings like a hypnotist's
timepiece].
Kate: Ask some more questions, this is sort of relaxing!
SO WHO ARE YOU TOURING WITH IN EUROPE?
[All]: The Breeders!
VIVIAN ARE YOU GOING TO SHOW THEM THE ROPES?
Vivian: Um, yeah. Absolutley. You betcha
Jane Their Manager: Tell em you're new names!
Jill: This is getting tired here. Alright, never mind. We can tell them.
Kate: Trey. All our names are Trey.
Jill: Get the fuck out of here!
WHAT ARE YOU LISTENING TO?
Vivian: Well, Gabby brought Steve Miller Band on
tour, so I've been listening to that.
Kate: I've been listening to the new Gloria Estefan record, in
Spanish. And the new Smashing Pumpkins.
ANY RICKY POWELL STORIES TO END WITH?
Kate: Ricky has a
way....l don't think Ricky understands that all girls are not
bimbos. And I think he should learn that.
Gabby: Me and Ricky have a
lot in common. We both never met our father. We both grew up in the village. We both love animals. We both love to play basketball-
[Heckling]
Gabby: No, but the father and the animal thing.
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